The technician starts talking to his journalist friend, Robert Caulfield (Elliot Gould). When the astronauts protest, Kelloway makes something very clear: if necessary, he will murder all of their families to pull this off.Īll seems to be moving ahead with the hoax until a NASA technician (Robert Walden), unaware of the deception, starts to notice that ground control is receiving televised transmissions before they receive the positions of the spacecraft.
There is a Martian lander, red rocky ground, and a suite of cameras and lights ready to capture them all, as if they’d made it to Mars after all. Kelloway, with no other options, walks the trio into a soundstage of conspiracy-theorist dreams. The space program was already falling out of favor with the public-people are calling up and complaining whenever a Moon landing interrupts I Love Lucy - and an aborted launch could be just the thing to shutter NASA for good. NASA couldn’t just cancel the launch, as that would destroy faith in America. Just a few weeks before launch, it was determined that life-support systems in place wouldn’t hold out, and that the crew would have been dead within weeks. James Kelloway (Hal Holbrook), who hates to be here - he really does - but has no other option.Īs Kelloway explains, something has gone wrong with the mission. Once inside, they are confronted by a NASA official of unknown rank, Dr. Confused, they board a van, which takes them to a plane, which takes them to a small room at an undisclosed location. While they prepare for launch, all three are suddenly ordered to leave their ship. Warner Bros.Īs that’s happening, the astronauts are faced with a sudden surprise. The crowds are out, and among their masses are Congressman Hollis Peaker (David Huddleston), a big proponent of NASA, and Vice President Price (James Karen), who believes all that space money would be better spent on Earth. The United States is sending Capricorn One to Mars, captaind by Charles “Bru” Brubaker (James Brolin, father of Josh), Peter Willis (Sam Waterston of Law & Order), and John Walker (the now-infamous O.J. Of course, there are reasons the film isn’t considered part of the larger conspiracy-thriller canon, like All the President’s Men and Serpico, but the film still provides an entertaining look into an era where conspiracy theories were so fashionable they’d become cliché.Ĭapricorn One starts off on the launchpad. This eventually became 1978’s Capricorn One (which is currently streaming on Amazon Prime).
#CAPRICORN ONE SEQUEL MOVIE#
Hyams wanted to create a movie that captured the cynicism of both generations. My generation was brought up to believe television was true, and that was bullshit too.” “I grew up in the generation where my parents basically believed if it was in the newspaper it was true,” he told Empire in a career retrospective. Movies like The Parallax View, All The President’s Men, and Serpico showed protagonists fighting against the government, the police, and all the shadowy forces in between.ĭirector Peter Hyams watched as the nation splintered into political distrust and, like others, had some ideas. This downturn was impossible to ignore at the time, and Hollywood moved to capitalize on the trend. In 1964, 77 percent of Americans told the Pew Research Center that they trusted the government to do the right thing “nearly always or most of the time.” Within a decade, that number had been more than halved, crashing down to 36 percent. These scandals shattered America’s trust in the system. From the release of the Pentagon Papers in 1971 exposing their nation’s actions in Vietnam, to Watergate sinking President Richard Nixon into scandal, Americans had to reckon with the revelation both major political parties of the period had been engaged in massive coverups. In the 1970s, the American people faced a crisis of faith in their institutions. Imagine - and this might be a stretch - but imagine a world where the government can not be trusted.
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